A young couple who are government officers dedicated to their jobs and the nation. They are impassioned about their work and each other. All that changes in an instant in the face of a shocking betrayal which turns the tables on both of them. A potent solution to all of these crimes is discovered by the young man, in the form of invisibility, a condition that befalls the hero. The power of invisibility can be used to great good or can be corrupted to great evil; which does he choose? Especially when confronted with the one obstacle between achieving his goal and becoming all live without his love.
Directed by: Vikram Bhatt
. Starring: Emraan Hashmi
, Amyra Dastur
, Tanmay Bhat
, Sushil Pandey
, Gurmeet Choudhary
, Nora Fatehi
, Bikramjeet Kanwarpal
, Umar Raza Khan
, Wasim Khan
, Atul Mathur
, Arunoday Singh
, Shruti Ulfat
, S.M. Zaheer
. Music by: Jeet Gannguli
, Raju Singh
, Ankit Tiwari
If one is looking for an example how a completely nonsensical execution can ruin an exciting plot considering the viewers all brainless creatures sitting in the theater, then MR. X would be the perfect film to be quoted even ahead of the recent dud ROY. But in case the statement doesn't deliver the message clearly then supporting it further, MR. X is just another lazily made, outrageously silly project coming from the Bhatt camp, who once used to make CINEMA but are now only interested in doing BUSINESS with lackluster, poor films being regularly offered as products just like soaps or detergents sold in the general supermarket.
For friends who still are willing to read the review, it's a typical Bhatt camp formula movie beginning with a clichéd sequence making no impression whatsoever in its first 40 minutes despite the love songs and infamous 'Hashmi kisses' as always. It has a weird casting choice wherein the young, well-built Arunoday Singh is presented as a middle aged, grey haired, hamming chief of police force who suddenly turns into the baddie in the very next scene. And then despite having all deliberately added bedroom and pool sequences there is zero chemistry to be found between the sleep walking Emraan and the beautiful Amyra, who looked much better in her first film ISSAK. At times beginning of few songs in the background turn out to be surprisingly funny instead of emotional. Plus when the game of invisibility begins then the explanations given, graphics used and the way Emraan goes on and off at his own will without any kind of engaging logic given, simply makes you go ROFL in the new-age net language, meaning 'Rolling on floor laughing"
Inspired from many entertaining films made on the similar concepts in the past (both in English and Hindi), it would be in fact insulting naming a few in this review to be straight. But ignoring any such 'creative crime' committed, the makers even dare to end their film with an open climax hinting towards a sequel raising a valid question that, 'How dumb they actually assume their viewers to be?"
With no justification of why the film was made in 3D, MR. X neither has any of those good trademark love songs in a Bhatt camp film nor it has some enjoyable graphics that ought to be the backbone of a project revolving around 'The Invisible Man'. Completing the circle, repeating both the title & the subject used by Nanabhai Bhatt (in his 1957) directed film MR. X featuring Ashok Kumar in the lead role, the present version falls way short of even that black and white film made more than half a century back in terms of entertainment.
In short, the experience of watching MR. X is exactly like watching a POGO channel comedy serial made for the kids that even the kids would surely reject as non-entertaining. Interestingly the film also features the now famous comedian Tanmay Bhat (of AIB fame) and it would be great to see how he presents a spoof on his own film in one of the next episodes of AIB.
However ending on a serious note (as mentioned earlier in one of my reviews), films like MR.X are actually 'feeder movies', that these multiplexes desperately need to display every week as 'new releases' in order to keep them running. In reality, these are the projects made in between 'the major' ones to keep the business going, otherwise how will the multiplexes earn if there would be only one or two movies releasing in one month? In fact that will totally crush their 'weekend business strategy' highly dependent upon new releases alone, coming every week irrespective of their content or quality.
Hence it doesn't matter whether they are enjoying or not the process of writing and making these films, the production houses are bound to keep supplying such kind of hurriedly made business products to the multiplexes in the name of cinema. And the plan will keep on working till 'the consumer or the viewer' wakes up from his sleep in the coming future.
So the slogan is "Jaago Grahak Jaago" and stop playing in the hands of this silly 'weekend business model' of the entertainment world at the earliest.
Review by bobbysing from the Internet Movie Database.