The year is 2030 and two scientists, Felix and Maxine, are about to release their latest creation, Veronica a fully functional pleasure android, out onto the market. Unfortunately, untimely interference from a colleague causes Veronica to be sent back to the year 1998. There she meets Harry Horner and becomes a lingerie model to help his ailing catalogue fetish business. Soon Camilla, Harry's competitor, learns of Veronica and steals her away to make Veronica work for her. Eventually, the two scientists locate Veronica and travel back to 1998 in a bid to rescue her. Harry and the scientists combine forces and rescue Veronica from Camilla's clutches. Veronica makes Harry's business a success and he is able to sell it to and interested buyer. Veronica and Harry have fallen in love and she decides to stay in 1998 along with the two scientists!
Directed by: Gary Graver
. Starring: Julia Ann
, Joseph Roth
, Everett Rodd
, Stephanee LaFleur
, E.R. Wolf
, Nikki Fritz
, Sandy Wasko
, Wendy Davidson
, Kurt Sinclair
, Steve Curtis
, Johnny Styles
, Jennifer Reese
. Music by: Wayne Scott Joness
As Freud once said, sometimes a cigar is just a cigar. And sometimes that "R" rating is really an accurate appraisal from the MPAA. At an hour nineteen, this movie clearly weighed in light on the scales, which was not a good sign.
The story centers around Julia (skip the last name.it worked for Cher and Madonna, right?) playing a pleasure model named Veronica from the year 2030, who, after some unauthorized late-night tests, is catapulted back into the past. Options being limited for pleasure 'droids from the future, Veronica gets a job modeling for a lingerie catalogue. Not exactly a Pulitzer Prize winning plot, but enough of a premise to satisfy late night cable audiences. That is, it would be if there were any stuffing inside this doughy, inedible confection.
We do have a few glimpses of Julia, who is admittedly luscious, with her off-the-shelf breasts, her two charming little tattoos, and false eyelashes that look like twin tarantulas crawling on her eyes. But inevitably the camera gets coy at crucial moments. Exhibit A is a torrid dance scene with Julia, wearing only a net body stocking and a pair of high heels. But even if she proves that The Girl Can Dance, the scene is over in the blink of a voyeur's eye. Exhibits B and C are the few heated moments as the girls model some fetish fashions. But the leather and chains are strictly for a niche market and fail to meet even the Minimum Daily Requirements.
The pneumatic Nikki Fritz plays a ruthless businesswoman doing business from the back seat of her limo: barking out orders on her cell phone; being worshipped by muscular stallions; appearing in an Academy Award parade of designer gowns. Everything, in fact, except what she does best.which is get naked and heat up the screen. There is one feeble attempt at a love scene, where Nikki appears naked for a nanosecond before the screen fades to a prim and proper black.
In fact, as the Bruce Willis talking action-figure on my desk says, "This movie has more blackouts than London during the war". Every time the on-screen thermometer begins to rise above tepid, the scene fades to black.
The third time I fished this undernourished specimen out of the late-night cable waters, I decided to rent the unrated version. It immediately added the heft of about fifteen minutes, correcting the single most important deficiency of the "R" version.nudity. We have boy meets girl, girl meets girl, boy meets two girls and so on - with all of the scenes providing copious amounts of naked flesh and cheap thrills. Fashions shows begin in lingerie and end in nothing but skin. (And for some odd reason, there is also a lot of licking in this film; I haven't seen that much tongue since my last trip to my local deli.) There is even an interlude where Julia and Nikki get a chance to bump bodies. Watching these two works of art roll around in a four-poster bed, I am mystified that anyone could bear to edit out that scene.
All of which reminds me of the time, a few years back, when a video rental mega-store was in a quandary about a recent release. On the one hand, they couldn't ignore a new release from a major studio; but they also couldn't risk offended the Family Values crowd by renting out an "NC-17" movie. So they compromised and put an "R" version on the shelves.
Review by monsters from the id from the Internet Movie Database.